Japanese Art, Culture and Folklore: Samurai Tadamori (1096-1153), Taira Clan and Power Concentration

Japanese Art, Culture and Folklore: Samurai Tadamori (1096-1153), Taira Clan and Power Concentration

Lee Jay Walker

Modern Tokyo Times


The folklore of Japan is extremely rich and not surprisingly art, culture, fables, history, and myths focus notably on characters like Taira no Tadamori (1096-1153) in a favorable light. Tadamori tackled the world he knew based on loyalty and an unflinching belief in consolidating the power of the Taira clan. On top of this, Tadamori didn’t fear the underworld that was extremely potent in this period of history. Therefore, this famous individual in Japanese history is highly respected based on many powerful factors.

In another article I stress “Tadamori played a powerful role in the consolidation of the Taira clan, therefore, his importance within the Imperial Court during this period of history was clearly noticed. His loyalty to the Taira clan and the Imperial Court went hand-in-hand. Indeed, Tadamori’s bravery and loyalty held no bounds because he was a staunch role model. This reality also highlights the inner-strength of the Taira clan in this period of Japanese history.”


Tadamori, just like Oda Nobunaga (1534-1582) and other powerful leaders, had to tackle the power of warrior Buddhist monks. It must be remembered that during this period of history internal regional power and central power concentration was extremely complex. After all, local power bases were extremely powerful within limited boundaries and various religious orders, irrespective if Buddhist in Japan or Christian in Europe – had different ideas about controlling society, and preserving respective privileges. Therefore, in Japan, the warrior Buddhist monks were often deemed problematic in various periods of Japanese history because of the military role they held.

The Buddhist warrior monks of Mount Hiei, therefore, became a serious challenge to the power base of the Taira clan. Nobunaga, many centuries later also understood this menace. Given this reality, Tadamori would clash heavily with the Buddhist warrior monks of Mount Hiei and Nara.


Piracy was another major problem for the Taira clan and even in parts of the world today this reality remains, notably in coastal areas of Somalia and in parts of the Southern Philippines. This reality meant that Tadamori launched potent military campaigns on the coasts of Nankaido and San’yodo. Not surprisingly, the Taira elites were extremely impressed by the role Tadamori played in tackling piracy. Similarly, this powerful samurai warrior was respected for his rich cultural knowledge and how he fused this with power concentration and power consolidation.

In time, the prestige of Tadamori grew long after his death. After all, in this period of Japanese history Buddhism, Shintoism, local folklore, superstition and the traits held by Tadamori appealed greatly from many different angles. This reality means that the cultural, historical and political legacy of Tadamori became fused with the richness of Japanese folklore. Therefore, in the area of art alone, Tadmori is depicted in a historical light and within the mysteries of the underworld where he fights demons.


Not surprisingly, Tadamori is depicted in art, literature, Japanese folklore and Kabuki plays. Indeed, from a cultural point of view Tadamori is deemed highly and clearly his rich legacy remains powerful in modern day Japan.



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