L.S. Lowry and Maurice Utrillo Through the Eyes of a Japanese Artist
Lee Jay Walker
Modern Tokyo Times
L.S. Lowry (1887-1976) and Maurice Utrillo (1883-1955) were born in the 1880s and perished well into the twentieth century. Both individuals created countless amazing pieces of art but from very different angles. This reality hit a chord with Sawako Utsumi, who hails from the Sendai region in Japan, because she appreciates the richness of both artists.
Sawako Utsumi (http://sawakoart.com) is still searching and experimenting with her art but before focusing more internally, this delightful artist from Japan seeks to feel the souls of past great artists. Therefore, certain elements and cross-diversity themes in relation to Japanese and European art are currently paramount within the heart of Sawako Utsumi.
In the three art pieces highlighted in this article by Sawako Utsumi one art piece is in appreciation and admiration of L.S. Lowry, and the other two art pieces in relation to Maurice Utrillo. However, within her own personal art you will witness various themes and this applies to English landscapes, Japanese rinpa, Still Life, religious elements of various faiths – and the mirage of time, emotion, philosophy, space, and tricks within the shadows of European and Japanese art.
During the lifetime of L.S. Lowry, especially in the early years, many individuals within the art world didn’t appreciate his independent and creative art. Indeed, elements of snobbery and lack of feeling the artistic soul of L.S. Lowry within his heart, meant that some individuals looked down on him. Yet, true to the nature of L.S. Lowry, he responded by saying “If people call me a Sunday painter I’m a Sunday painter who paints every day of the week!”
I stress in a past article: “This comment by Lowry highlights his roots because it shows no weakness and highlights his enormous self-belief. Also, Lowry didn’t seek compassion because his art would do the talking. Therefore, people can either accept his uniqueness or reject it. Either way, Lowry didn’t desire compliance because he held firm to what made him special. However, in saying this, it must be stated that his art is more diverse than most people give him credit for.”
In contrast, it is clear that Maurice Utrillo had an easier route given the artistic reality of his mother and the many connections she had. Despite this, life was never easy for Maurice Utrillo because he suffered from various health issues, including mental health problems. Therefore, art became a form of therapy during the early stages but in time the soul of this amazing artist would be felt deeply.
Christianity would also impact on Maurice Utrillo despite his upbringing and the relentless struggles that he faced. I comment in a past article about this rich artist: “Throughout the life of Utrillo mental asylums became a reality because often he was interned into these institutions. Despite this, Utrillo produced an abundance of stunning art pieces and in 1928 he was awarded the Cross of the Legion d’honneur by the government of France. Also, by the middle of the 1930s Utrillo became increasingly religious in relation to Christianity.”
In the three art pieces by Sawako Utsumi titled Japanese Eyes and Utrillo, Lowry and Shadow of Japan and Mirage of Utrillo, it is clear that you can also feel the individualism of this modern artist from Japan within her art pieces. This is based on her admiration and appreciation of L.S. Lowry and Maurice Utrillo, while providing different color schemes and implementing certain dynamics in relation to creativity, culture, space, light, the mirage of time and personal meanings.
http://sawakoart.com – Sawako Utsumi personal website
http://fineartamerica.com/profiles/sawako-utsumi.html – Sawako Utsumi and where you can buy her art, post cards, bags, and other products. Also, individuals can contact her for individual requests.
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